I started as a frontend engineer back in 2016 who couldn't leave design alone. I always tweaked the UI. Always the one wanting to make things look right.
That interest turned into craft. More refined UI work. Then a full-time product design role - owning the product surface end to end, not just implementing it.
I was already working in the gap between design and engineering long before the title got trendy, and long before AI made "anyone can ship" sound easy. Same job, older instinct: close what gets lost between the Figma file and production - the rhythm of an interaction, the feel of a micro-interaction, the right easing. None of that lives in a spec. It has to be built and felt.
I'm not a designer who vibes code into existence. I hold a Computer Science degree. I think in systems. I write real production code - and I obsess over visual detail, craft, and product sense. Design engineering, for me, is brand-level taste with an engineer's bar for quality.
That never left. It just got a sharper eye.
Art
I love art. Photography, painting, music, industrial design, architecture, philosophy.
It's very important to me.
I believe that reaching a world-class level as a design engineer requires a deep appreciation for art. It sharpens intuition, expands perception, and brings meaning beyond pure function. While I have a strong connection to painting, music resonates with me most - it's the artistic medium that moves me on the deepest level.I was fortunate to have my own painting exhibition in early 2024 in Warsaw, Poland.
My Soul as Physical Artefacts
My paintings are not just visual compositions. They are reflections of my inner world. The way I paint mirrors my personality: introspective, romantic, and melancholic.
My work draws from surrealism, minimalism, and a sense of emotional stillness. I create contemplative, otherworldly spaces - visions of distant landscapes and unfamiliar realities that exist somewhere between organic fluidity and geometric structure.
Through these pieces, I invite viewers into moments of reflection and ambiguity - places where logic fades and feeling takes over. My art often explores questions about human existence and our place within something vast and unknowable.
In many ways, each painting is less about what is seen, and more about what is felt. A quiet dialogue between mystery, emotion, and form.
Sim-racing
From 2012 to 2020 I founded and ran what became one of the best sim-racing teams on Earth. We won worldwide endurance races, including the official virtual 24 Hours of Le Mans. Along the way I designed virtual car liveries and 3D renders - the visual side of the team, not just the racing.
I mentored drivers who went further than the screen. One won a PlayStation worldwide elimination and raced in a real final at Yas Marina for a seat with the Nissan racing team - a journey captured in this TV series. He and another driver from the team were later signed by the official Williams F1 e-sports squad.
We made Polish press more than once. Still one of the things I'm most proud of.
